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CLASSICAL
MUSIC
Music
is the composer's instrument with which he transforms dreams into
reality. Music, the reflector through which we see the greatness of the
Viennese Opera of the 18th and 19th centuries. It is the music of this
era that conductors attempt to recapture in this modern 2Oth century.
It
might be asked today why classical music has relapsed so much that it
needs recapturing. The
answer is that music was a pleasure appreciated only by the rich, thus,
with the raising of social standards, the 'nouveau riche' had to be
adapted to new conditions.
This
was no easy task, and in this way classical music has suffered a setback
which is now being righted, and so we are now witnessing the growing
interest in classical music both in this country and, abroad.
This
interest has developed greatly since the war, and despite much criticism
from the younger generation, these youngsters look on classical music
with a far broader mind than many of their parents did.
The
reason's for this are that everybody is far more classical in outlook,
and thus music is always at the forefront. Also, in this age of
television and sound radio, the B.B.C. make full use, of their
broadcasting facilities to bring live concerts and opera, into the homes
of the public. Coupled with
this is the great movement started by societies and orchestras such as
the Halle of Manchester, the Royal Philharmonic and the Promenades of
Henry Wood.
These
societies all have their own big orchestras, and they also encourage in
small towns and cities the up and, coming newer and, smaller
organisations. Art and Drama schools also lay stress on classical music,
and Universities play their part as well. It is in this way that younger
people are encouraged to take an interest in music.
Young
conductors and composers are also given all the help possible, either
privately by a leading name in music, or by a society.
A
good example of this was the recent competition sponsored by one of the
daily newspapers for young, and unknown conductors. The prize was the
opportunity to conduct, the London Philharmonic for half an evening at
the Festival Hall. Parts, of the concert were shown, and the winner had
a valuable chance to bring his talent into the limelight by means of the
performance.
In
all these ways we can see how interest in classical music in this
country has waned and revived, and is even now being encouraged
throughout this country.
P.
LAURENCE, VI.
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